Видео

Rubinstein makes this étude sing so deeply and delicately. Maybe not even Chopin himself would have imagined it that amazing way.

Удивительно,что сохранились портреты Брамса.Это ценно для вечности.

Did you vote to stay alive??? Right?

Lriv Conscious

Inch er??? Any Unconscious issues?

zero clicks????

es el chzartnatsrets?

Tents tuns el kmtnes kpshres el, an antique... right?

Meksikatsinerin inch en talis Absalyutno nothing

Tents man ekeq.. a chyom rech

amot chi urod asenq?

Great piece and performance!!!

Danke für diese Aufnahme das Stück klingt auch langsam toll oder sogar besser.

Gilels is amazing!!!!!!

Cool that I’d stumble upon one video you posted and then immediately after another search, another

Whoa 2

Whoa

존나 심플한데 가슴을 찌르네

ruclips.net/video/T6b4Pcnrmp0/видео.html ashisliv, please... lava tents???

Betxoven would be more like Kissin...

This makes me really question if the concert setting is the right place for music and performances like this, i wanna go nuts and do get nuts listening to this in the privacy of my home, and i am supposed to sit through this like a puppy, like a porcelaindoll with folded hands in public.

Silvery streamlet so joyous and gay.

THIS is the final years of the GREAT Romantic era of the really GREAT pianists, Moiseiwitsch amongst them. Why only 1.7K views? It should be 100.7K views, which it would have been in the 19th century!! Audiences, nowadays, have no idea of the true masters of the piano.

At 19 he already sounds like the mature Hofmann: the unique energy, projection, singing quality.

1:02

Sometimes the final (or later versions) are fine but it is always inspiring to listen to the earlier versions, they provide a great insight to the development...Esp when played so well.

1:02 1st night 1:59 wave 2 2:56 2nd night 3:50 storm 4:16 big wave 4:25 struggle 4:49 swimming hard 5:08 swimming hard 5:23 cascade 5:33 fighting 5:55 narrative 6:42 love theme 7:43 swimming again 8:18 storm is coming 8:28 tempestuoso 8:45 more storm 8:50 hurricane 9:19 Leander dead 9:45 narrtive 10:24 love theme 10:50 different mood 11:19 different mood 11:39 aria- new singing theme 12:13 power of love after death 12:49 narrative - does Hero know?

The way Rubinstein plays the final 6 bars--starting with "Presque double le plus lente"--is incomparable in touch and sound. Those chords speak almost like ghost tones under his fingers. The first time I ever heard this recording in the 1960s I actually got goose bumps listening to those last bars. They attain a level of expression that transcends.

The discussion of desynchronization by others below perhaps overlooks something Chopin was trying to emphasize, something he reportedly did uniquely well: achieving almost complete finger independence. This foundation of Chopin’s written piano method, left incomplete at his death, freed the bel canto right hand from the contrapuntal left. It bewildered contemporaries who insisted that Chopin could not play in time. Some people today find it enchanting, others (see below) annoying but one thing is clear: Rosenthal was a master of this authentic (but not mandatory) tradition.

I just listened to someone who I have always admired play Bach...and I came back to the original. There is no comparison. I hate to say that something is the greatest of all time. But I'll be coming back to this often.

Wasn't 1976 his final concert tour? Is there a listing of all the places he played that year?

Pianists back then truly were levels... and levels above today's.

which one was Chopin's intended version? I always get so confused by this

Rachmaninoff gieseking and moiseiwitsch wish they were one quarter as good as lhevinne. Gieseking did make the best recording of rondo alla turca. One night Rachmaninoff and Heifetz went to a concert together in southern California. The featured soloist was 13 year old Yehudi Menuhin in his debut. At one point Heifetz said to Rachmaninoff, " its a little hot in here " and Rachmaninoff said " not for pianists! "

consolation 🌹

4. 0:12 0:23 0:32 0:40 0:44 0:44 0:51 0:58 1:11 1:21 1:26 1:33 1:41 1:53 2:01 2:11 2:30 2:52 3:07

Perfect ❤

This is quite exquisite in its lightness of touch on the keys and on the ear, moderating to a slightly heavier impression as it progresses flowing like a gentle stream upon our senses as it flows to its end, spine tingling medetative perfection that brings tears to the eyes and ecstasy to our inner souls. I struggled for most of my life to identify this piece on radio finally in the autumn of my life it has been 'found' and added to my collection. Should they play this piece on my departure from this world I shall depart smiling................ Let thus the sound of perfection reside in ones memory for eternity.

to play bach one must first listen..not done in this pitiful case

これ凄いな これ聴いたら他の演奏は物足りなくなるわ

Funny enough, "Grillen" also means "barbecue" in German 😂 For a brief moment I thought, Schumann wrote this piece about culinary pleasure 😂

0:11

Wonderful ❤

Liszt was (just) the editor of this piece for the Cotta’sche Buchhandlung (in other words: he added some dynamics, pedal marks, comments, etc.). There’s a famous enlarged arrangement by his student Tausig, of course. But this d’Albert recording here is the (truncated) Weber original.

大好き

Chi critica questa interpretazione o fa paragoni non consoni non ne capisce nulla di musica classica classica!!

Che c'è da dire x una tale interpretazione 🎉🎉

but- i think last section is over-immoderate, i cannot agree on this perform

2:10

Beautiful piece. Not liszt was silly to call this a consolation though.